In January of 2008 I was in a research seminar at Clemson University trying desperately to come up with a research idea. My advisor Victor Vitanza had shot down my last three attempts, but I knew I was getting closer. It had to do with media studies, rhetorical theory, and visual rhetoric. I was particularly interested in comics. “That’s not an argument,” Victor sternly replied to my most recent attempt to formulate my thoughts. “You’re just arguing that comics are worthy of study. That’s not up for debate. Get more specific. Make an argument.” He stared right into me, willing…
Recent Posts
- Scooby Doo, Who Are You?: Scaffolding Collaboration Through Narrative Tropes
- On Creative Permission: Offering Multimodal Choice in First-Year Writing
- Multimodal Reading as Valid Academic Practice
- Centering Lived Experiences in Multimodal Writing and Digital Literacy Pedagogy
- Design as Praxis: Multimodal Composition in Writing Center Administration
- Multimodal Approaches to Faculty Development Spaces
- Teaching Access: Multimodal Pedagogy as Social Justice in Technical Communication
- Sonic Digital Humanities as Human-Centered Praxis