During the fall of 2015, I designed and taught an advanced composition course with inspiration from syllabi of Vanessa Kramer Sohan and Malea Powell. Because my dissertation research centers around the text(ile) work of a quilt project—one that advocates awareness of migrant lives lost along the US/Mexico border through quilts—I wanted to create a course that asked students to work through some key questions concerning writing about, engaging with, analyzing, and making material things. With my research interests in mind, I created a course that asked students to “compose” a material object[1] while considering the rhetorical value of material things.…
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