During the fall of 2015, I designed and taught an advanced composition course with inspiration from syllabi of Vanessa Kramer Sohan and Malea Powell. Because my dissertation research centers around the text(ile) work of a quilt project—one that advocates awareness of migrant lives lost along the US/Mexico border through quilts—I wanted to create a course that asked students to work through some key questions concerning writing about, engaging with, analyzing, and making material things. With my research interests in mind, I created a course that asked students to “compose” a material object[1] while considering the rhetorical value of material things.…
Recent Posts
- [Updated Deadline: July 15th] 2025-26 DRC Graduate Fellowship Application
- C&W 2025 Session Review: “Whose Time is It, Anyway?” (Keynote)
- 2025 C&W Session Review: From Chatbot to Classroom: Understanding Student and Instructor Use and Perceptions of AI (Session C)
- 2025 C&W Session Review: “Invention, AI, and Circulation” (Session F)
- 2025 C&W Session Review: “Moving through Space” (Session H)
- Blog Carnival 23: Editor’s Outro: “Digital Circulation in Rhetoric and Writing Studies
- Collage as Socialist Circulation
- Play, Rhetoric, and the Circulation of J.D. Vance Photoshops