Close Menu
    Facebook X (Twitter) Instagram
    Recent Posts
    • From Digital Content to Academic Confidence: My Rhetorical Journey
    • Scooby Doo, Who Are You?: Scaffolding Collaboration Through Narrative Tropes
    • On Creative Permission: Offering Multimodal Choice in First-Year Writing
    • Multimodal Reading as Valid Academic Practice
    • Centering Lived Experiences in Multimodal Writing and Digital Literacy Pedagogy
    • Design as Praxis: Multimodal Composition in Writing Center Administration
    • Multimodal Approaches to Faculty Development Spaces
    • Teaching Access: Multimodal Pedagogy as Social Justice in Technical Communication
    RSS Facebook X (Twitter) Instagram
    Digital Rhetoric Collaborative
    • Home
    • Conversations
      • Blog Carnivals
      • DRC Talk Series
      • Hack & Yack
      • DRC Wiki
    • Reviews
      • CCCC Reviews
        • 2026 CCCC Reviews
        • 2023 CCCC Reviews
        • 2022 CCCC Reviews
        • 2021 CCCC Reviews
        • 2019 CCCC Reviews
      • C&W Reviews
        • 2025 C&W Reviews
        • 2022 C&W Reviews
        • 2019 C&W Reviews
        • 2018 C&W Reviews
        • 2017 C&W Reviews
        • 2016 C&W Reviews
        • 2015 C&W Reviews
        • 2014 C&W Reviews
        • 2013 C&W Reviews
        • 2012 C&W Reviews
      • MLA Reviews
        • 2019 MLA Reviews
        • 2014 MLA Reviews
        • 2013 MLA Reviews
      • Other Reviews
        • 2018 Watson Reviews
        • 2017 Feminisms & Rhetorics
        • 2017 GPACW
        • 2016 Watson Reviews
        • 2015 IDRS Reviews
      • Webtext of the Month
    • Teaching Materials
      • Syllabus Repository
      • Teaching & Learning Materials (TLM) Collection
    • Books
      • On Visual Rhetoric
      • Memetic Rhetorics
      • Beyond the Makerspace
      • Video Scholarship and Screen Composing
      • 100 Years of New Media Pedagogy
      • Writing Workflows
      • Rhetorical Code Studies
      • Developing Writers in Higher Education
      • Sites of Translation
      • Rhizcomics
      • Making Space
      • Digital Samaritans
      • DRC Book Prize
      • Submit a Book Proposal
    • DRC Fellow Projects
    • About
      • Advisory Board
      • Graduate Fellows
      • DRC Fellows Application
    Digital Rhetoric Collaborative

    Introduction to Sarah Fischer

    0
    By Sarah Fischer on October 25, 2023 DRC Grad Fellows

    I hardly remember a time before social media. I made my first email account to instant
    message my friends after school when I was in elementary school (AIM “away messages” were iconic). I made a MySpace account when I was 12 years old, only for it to be quickly replaced by Facebook; then a few years later, supplemented with Tumblr, Instagram, and most recently— YouTube. Documenting our everyday lives and connecting with others online has been foundational for me and for my generation. I was drawn to the field of digital rhetoric because of the unique power held by social media platforms to tell seemingly mundane stories in compelling ways that not only connect us with others but give us agency over our lives and bodies.

    Like many graduate students, I struggled to manage my impostor syndrome when I began my program. Furthermore, the sedentary nature of online working from home at the start of the COVID-19 pandemic left me feeling detached from my body. In an effort to feel more connected to my body and to relate with other graduate students, I started a lifestyle vlogging channel on YouTube. This channel showcases my everyday experiences as a Ph.D. student at a large, R-1 university in the Midwest navigating research and teaching responsibilities as I strive for a sustainable work-life balance. I highlight the highs and the lows of this lifestyle, expressing all of the vulnerable emotions that come with them. As a woman, I have found reclamatory potential in filming, editing, and publishing these lifestyle vlogs. In a patriarchal society that often objectifies women, I aim to subvert the male gaze by rhetorically and agentially crafting my embodiment online.

    My experience with this YouTube channel has inspired my dissertation research and allowed me to reimagine my teaching practices. My dissertation, From Writers to Content Creators: Teaching, Embodiment, and Multimodal Composition, explores the scholarly and pedagogical potentials in vlogs as they are situated as material sites of both multimodal and embodied composition. Moreover, I have had the opportunity to teach a first-year digital literacy class themed around social media influencers, where students analyze popular content creators as they grapple with complex social issues like race, gender, sexuality, age, etc. and produce multimodal artifacts like webpages, podcasts, and video essays. And I have taught a 200-level intensive writing course where students explore how people use video to tell stories online and then apply what they have learned to tell digital stories of their own.


    I am excited to be a DRC fellow, and I look forward to collaborating with others on projects that explore the role of multimodal composition in our teaching and learning sites. I am particularly interested in cultivating conversations around embodiment and digital technology, especially as they pertain to gender and intersectional feminism. I am eager to use this platform to continue the exciting innovation of the Computers & Writing community at large.


    You can email me at samafisc@iu.edu or explore my vlogs at
    www.youtube.com/sarahfischervlogs

    Author

    • Sarah Fischer
      Sarah Fischer

      Sarah Fischer is a PhD candidate in the Rhetoric program at Indiana University Bloomington. She studies embodied writing, multimodal composition, and composition pedagogy. Her dissertation examines how video composition is an act of embodied writing that fosters rhetorical awareness.

      View all posts
    Leave A Reply Cancel Reply

    Recent Posts
    By Samia MehbubMay 6, 20260

    From Digital Content to Academic Confidence: My Rhetorical Journey

    By Kathryn BurtMay 5, 20260

    Scooby Doo, Who Are You?: Scaffolding Collaboration Through Narrative Tropes

    By Molly RyanMay 4, 20260

    On Creative Permission: Offering Multimodal Choice in First-Year Writing

    By Brady HallMay 3, 20260

    Multimodal Reading as Valid Academic Practice

    By Toluwani OdedeyiMay 2, 20260

    Centering Lived Experiences in Multimodal Writing and Digital Literacy Pedagogy

    Digital Rhetoric Collaborative | Gayle Morris Sweetland Center for Writing | University of Michigan

    Type above and press Enter to search. Press Esc to cancel.